Sunday, November 16, 2008

Photographers




Freelance photographer Dan Heller claimed that the licenses are created in such a way that if the work was licensed in CC by someone altering the copyright notice of the original work, then the licensee will be held liable to copyright infringement damages, even though the downstream licensees were fooled by original perpetrators, which increases legal risk for CC licensee. Furthermore, copyright holder of the registered copyrighted works can game the CC system by withdrawing CC licenses and erase evidence of the issuing such licenses, then sue people who use the copyrighted works. One could argue however, that this would be a limitation of the media upon which the content is stored, not the license itself.[citation needed] One recent development in response to this problem has been the launch of the ImageStamper website. ImageStamper keeps dated, independently verified copies of license conditions associated with creative commons images on behalf of its users. The site is currently being extended to support other media types.

Technically, this isn’t rocket science. The challenge is the composition. Because things are in motion, it’s hard to frame your picture in real-time conditions that change so quickly, and deciding when to release the shutter. Expect to shoot many pictures of the same thing, hoping that one great shot will appear. One hint about composition is to pay attention to the direction of motion, since that will be the theme of the picture. Straight lines, curved motion, forward, backward. It’s all about leading the viewer’s eye from a starting point to an endpoint. It may be subtly implied, or very direct, but it’s the motion itself that you want to convey.